KŌRIN FURUYA, Kōrin-style Patterns n. 68, 1897 sculture He began to engrave around

He began to engrave around the age of fifty

Magnificent print proof on Arches paper in a total of 230 copies (200 in Arabic numerals and 30 artist's proofs)

printed on Voirin and Marinoni flatbed machines in a total of 250 copies on White paper BFK Rives - 300 grams from the Ateliers Stephane Guilbaud

Catalogo Expo Guggenheim Museum Bilbao

Unlike other representatives of concrete art

KŌRIN FURUYA, Kōrin-style Patterns n. 68, 1897 sculture He began to engrave aroundSplendida prova con ottimi colori, nella prima edizione. Impressa su carta del Giappone in epoca Meiji (18681912). In eccezionale stato di conservazione, con margini intonsi tuttintorno. Bibliografia J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion,